Elizabeth Cashin McMillen
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Curriculum Vitae:
 
Education
  Bard College, Art History & Sculpture, BA
   
Selected Solo Exhibitions
2009  Summer Salon Group Show, Aucocisco Galleries, Portland, Maine
2008 "Betwixt and Between:Color, Line and Texture, The Court House Gallery, curated by Bruce Brown, Ellsworth, Maine.
   Aucocisco Galleries, Portland, ME
2001  June Fitzpatrick Gallery, Portland, ME
1999 “New Work,” June Fitzpatrick Alternative Space Gallery, curated by Grant Jacks, Portland, ME
1997 “New Paintings,” Lakes Gallery, curated by Grant Jacks, South Casco, ME
1996 “The Grid Revealed and Veiled” Two-person show, Maine Coast Artists, Rockport, ME
1995 “New Paintings,” the Frick Gallery, Belfast, ME
1994 “Paintings,” Area Gallery, University of Southern Maine, Portland, ME
   
Selected Group Exhibitions
2007  Portland Museum of Art Biennial, Portland, ME
  “Body Parts,” June Fitzpatrick Gallery, curated by Bruce Brown, Portland, ME
2005 “The Long View: Selections from the Norma B. Marin Collection of Maine Art,” University of Maine Museum of Art, Bangor, ME
  “Water,” Center for Maine Contemporary Art, Rockport, ME
2004 “Naked,” June Fitzpatrick Gallery, Portland, ME
2003 “Passion,” June Fitzpatrick Gallery at MECA Gallery, curated by Rose Marie Frick, Portland, ME
2002 “Six Select Six,” Payson Gallery, curated by Grant Jacks, University of New England, Westbrook, ME
2001 “Abstraction; 22 Visions,” Maine Art Gallery, curated by Rose Marie Frick, Wiscassett, ME
   Portland Museum of Art Biennial, Portland, ME
1998  Portland Museum of Art Biennial, Portland, ME
  “Maine Light,” U.S. State Department Art in Embassies Program, United States Embassy, Santiago, Chile
  “The Grid/Visual Counterpoint,” Maine Coast Artists, Rockport, ME
   Frick Gallery, Northeast Harbor, ME
1997 “Preview,” Lakes Gallery, curated by Grant Jacks, South Casco, ME
1995 “Three Abstract Artists: New Work,” Lakes Gallery, curated by Grant Jacks, South Casco, ME
1994 “Abstractions II,” The Frick Gallery, Belfast, ME
  “Going For A Walk With A Line,” The Children’s Museum, curated by Grant & Shirley Jacks, Portland, ME
   Juried Show, Maine Coast Artists, Rockport, ME
1993 “What’s Going On Now? A Democratic New Survey in Maine,” Frick Gallery, curated by Grant & Shirley Jacks, Belfast, ME
   
Selected Bibliography
  Little, Carl, "Collector: Bruce Brown," Maine Home + Design, April, 2009
  Maine Home + Design, "Ones to Watch," April, 2009
  Kamila, Avery Yale, "Abstract Anatomy," The Maine Switch, April 3, 2008
  Portland Museum of Art Biennial Video, Published by the Portland Museum of Art, 2007
  Little, Carl, “The Inclination for Loving Art: Norma Marin Collects,” The Long View, University of Maine Museum of Art, 2005
  Portland Museum of Art Biennial Catalog, published by the Portland Museum of Art, 2001
  Isaacson, Phil, “PMA’s Biennial evokes a call for more, more from all,” Maine Sunday Telegram, May 6, 2001
  Saurier, Roxanne Moore, “Maine artists offer diverse Portland show,” Bangor Daily News, April 26, 2001
  Beem, Edgar Allen, “Unusually Abstract in Wiscassett,” Maine Times, August 16, 2001
  Bangor Daily News, “Maine artists’ work on view at embassy,” April, 2000
  Art in Embassies Program, Department of State, United States of America, Maine Light: The Ambassador’s Residence Uinted States Embassy Santiago,
 Chile, 1999
  Jacks, Shirley, “The Maine Biennial,” Art New England, February/March, 1999
  Portland Museum of Art Biennial Catalog, published by the Portland Museum of Art, 1998
  Sims, Pat, “True Grid: Abstracting the World” The Portland Phoenix, October, 1998
  Greenleaf, Ken, “Elizabeth Cashin McMillen’s abstracts are music to the eyes,” Maine Sunday Telegram, November, 1997
  Crichton, Alan, “Elizabeth Cashin McMillen,” Art New England, February/March, 1996
  Jacks, Shirley, “Elizabeth Cashin McMillen: Paintings,” Art New England, February/March 1995
  Greenleaf, Ken, “If these paintings can make it here, they can make it anywhere,” Maine Sunday Telegram, November, 1994
  Shaughnessy, Michael, “Elizabeth Cashin McMillen Paintings,” catalog essay, University of Southern Maine Area Gallery, 1994






 

 

June 2010

 
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