|
SELECTED ONE AND TWO PERSON
EXHIBITIONS |
|
2010 |
Center for Maine Contemporary
Art, Rockport, ME |
|
2010, 2007, 2005, 2002 |
Aucocisco Gallery, Portland, ME |
|
2009, 2006, 2004 |
DFN Gallery, New York, NY |
|
2009 |
La Galeria, Barcelona, Spain |
|
2007 |
Gold/Smith Gallery, Boothbay
Harbor, ME |
|
2005, 2001, 1999 |
Chase Gallery, Boston, MA |
|
2004 |
University of Maine Museum of
Art, Bangor, ME |
|
2004 |
National Academy of Sciences,
Washington, DC |
|
2003 |
The Hudson River Museum, Yonkers,
NY |
|
2003 |
A.V.C. Gallery, New York, NY |
|
2000, 1998 |
June Fitzpatrick Gallery,
Portland, ME |
|
2000, 1998, 1995, 1992, 1990,
1988 |
Schmidt-Bingham Gallery, New
York, NY |
|
1998 |
DozierBell: Primary Themes
Lyman Allyn Museum, New London, CT (catalog) |
|
1995 |
The Dissonant Heart (in
collaboration with the poet Wesley McNair) |
| |
Portland Museum of Art, Portland,
ME (catalog) |
|
1994 |
Original Place:
Recent Work by Dozier Bell and Ken Greenleaf |
| |
Farnsworth Art Museum, Rockland,
ME, and Center Gallery, Bucknell University, Lewisburg, PA (catalog) |
|
1991 |
Bingham-Kurts Gallery, Memphis,
TN |
|
1990 |
Gail Severn Gallery, Ketchum, ID |
|
1989 |
Marilyn Butler Fine Arts,
Scottsdale, AZ |
|
1987 |
O'Farrell Gallery, Brunswick, ME |
| |
|
|
SELECTED GROUP EXHIBITIONS |
|
2010 |
Sacred and Profane
Portsmouth Museum of Art, Portsmouth, NH |
|
2009 |
Selections from the
Ogunquit Museum of American Art
Portsmouth Atheneum, Portsmouth, NH |
| |
Portland Museum of Art
Biennial Portland, ME |
|
2008 |
Art from Anxious Times
Art Students League, New York, NY |
| |
Transcendental and Sublime
Sacred Heart University, Fairfield, CT |
| |
Silence La Galeria,
Consell de Cent, Barcelona |
| |
Midnight Full of Stars Visual
Arts Center of New Jersey, Summit, NJ |
|
2007 |
New Artists Bentley
Gallery, Scottsdale, AZ |
| |
Introductions II Stremmel
Gallery, Reno, NV |
|
2006 |
The Figure in American
Painting and Drawing, 1985-2005
Ogunquit Museum of American Art,
Ogunquit, ME |
|
2005 |
The Environment of Landscape:
Works from the Olivia and Ellwood:
Straub Collection
Bates College, Lewiston, ME |
|
2004-07 |
American Embassy in Abuja,
Nigeria |
|
2004 |
Images of Time and Place:
Contemporary Views of Landscape The Lehman Gallery, Bronx,
NY |
|
2003-04 |
Facing Reality: The Seavest
Collection of Contemporary Realism Neuberger Museum of Art,
Purchase, NY |
|
2002 |
50th Anniversary Exhibition
Center for Maine Contemporary Art, Rockport, ME |
|
2002 |
Keenly Observed Sacred Heart University,
Fairfield, CT |
|
2001-02 |
Re-presenting
Representation V The Arnot Art Museum, Elmira, NY |
|
2000 |
Photographing
Maine: 1850 - 2000
Maine Coast Artists, Rockport, ME |
|
1998 |
After Dark Maine
Coast Artists, Rockport, ME |
| |
After Nature The Herter Gallery, University of
Massachusetts, Amherst, MA (catalog)
|
| |
Seasons of Change:
Maine Women Artists and Nature
in conjunction with the American Women Nature Writers Conference at
the Payson Gallery, Westbrook College, Portland, ME |
|
1997 |
Invitational
Exhibition Memphis College
of Art, Memphis, TN |
|
1996-97 |
Destiny Manifest: American Landscape Painting in the 90's
Samuel P. Harn Museum of Art, University of Florida,
Gainesville, FL (catalog) |
|
1996 |
Torn Asunder: Collage in Twentieth-Century Art
Portland Museum of Art, Portland, ME |
| |
Inside/Outside: Recent Photography from the MacDowell Colony
Hood Museum of Art, Dartmouth College, Hanover, NH, and the
Art Gallery of the University of New Hampshire, Durham, NH |
| |
Changing Horizons: Landscape on the Eve of the Millennium
Katonah Museum of Art, Katonah, NY (catalog) |
| |
Skowhegan at 50: The
Maine Legacy
Maine Coast Artists, Rockland, ME, and Baxter Gallery, Portland, ME |
| |
Fractured Fairy Tales: Art in the Age of Categorical Disintegration
Duke University Museum of Art, Durham, NC (catalog) |
|
1995 |
Irrational Landscapes Binghamton University Art
Museum, Binghamton, and New York Academy of Sciences, New York, NY |
|
1994 |
The Collectors' Show The Arkansas Art Center, Little
Rock, AR |
| |
Ten Years, Ten Artists Albers Fine Art Gallery,
Memphis, TN |
| |
Dialogues: On and Off the Wall Schmidt-Bingham
Gallery, Garth Clark Gallery, and Peter Joseph Gallery, New York, NY |
| |
Landscape not Landscape Gallery Camino Real, Boca
Raton, FL (catalog) |
| |
Contemporary Landscapes Evans-Gropper-Willis Gallery,
San Francisco, CA |
|
1993 |
The Collectors' Show The Arkansas Art Center, Little
Rock, AR |
| |
Landscape as Metaphor: The Transcendental Vision
Fitchburg Art Museum, Fitchburg, MA and Newport Art
Museum, Newport, RI |
| |
Gender and Identity Baxter Gallery, Maine College of
Art, Portland, ME |
|
1992 |
Art of
Maine: A Bounty of Woods and Water
Monmouth Museum, Lincroft, NJ |
| |
Apocalypse and Resurrection AmFAR Benefit and Exhibition, The
Gallery Three Zero, New York, NY |
| |
On the Edge: 40 Years of
Maine Painting
Maine Coast Artists, Rockport, ME;
Portland Museum of Art, Portland, ME (Catalog) |
|
1991 |
Darkness into Light Lintas: Worldwide, New York, NY |
|
1990 |
Perspectives: Celebrating Contemporary Art at the
Portland Museum
Portland Museum of Art, Portland, ME |
| |
Beyond Black and White: Contemporary Hand-Painted
Photographs The Farnsworth Art Museum, Rockland, ME |
|
1989 |
Interstices Farnsworth Art Museum, Rockland, ME |
| |
Vision and Visions: Contemporary Landscape Painting
Tavelli Gallery, Aspen, CO |
| |
New Work Dean Velentgas Gallery, Portland, ME |
| |
Contemporary Environment General Electric Company,
Fairfield, CT |
| |
Landscape of the Spirit The Bruce Museum, Greenwich,
CT (catalog) |
|
1988 |
40th Anniversary Juried Exhibition The Farnsworth Art
Museum, Rockland, ME |
| |
The Face of the Land Southern Alleghenies Museum of
Art, Loretto, PA |
| |
Fresh Paint The Baxter Gallery, Maine College of Art,
Portland, ME |
|
1987 |
Beyond Observation Schmidt-Bingham Gallery, New York,
NY |
| |
New Artists: The Gloria Wilcher Memorial Exhibition
Currier Gallery, Manchester, NH (catalog) |
| |
Gallery Invitational The Farnsworth Museum of Art,
Rockland, ME |
| |
Six Young
Maine Painters Maine Coast
Artists, Rockport, ME |
| |
|
|
AWARDS
AND RESIDENCIES |
|
2009 |
Adolph and Esther Gottlieb Foundation Individual Support Grant |
|
2003-04 |
Pollock-Krasner Foundation Grant |
|
2000 |
Residency at the MacDowell Colony, Peterborough, NH |
|
1997 |
Achievement Award and Honorary Doctor of Fine Arts degree, Maine
College of Art, Portland, ME |
|
1995-96 |
Fulbright Fellowship as artist-in-residence at the Bauhaus
University in Weimar, Germany |
|
1995 |
Residency at the MacDowell Colony, Peterborough, NH |
|
1993 |
Pollock-Krasner Foundation Grant |
| |
Residency at the Rockefeller Foundation's Bellagio Study and
Conference Center in Bellagio, Italy |
|
1990 |
Residency at the Millay Colony for the Arts, Austerlitz, NY |
|
1987 |
National Endowment for the Arts Fellowship in Painting |
|
1985 |
Residency and full scholarship at the Skowhegan School of Painting
and Sculpture, Skowhegan, ME |
|
1981 |
Smith College Alumnae Association Scholarship for Graduate Study |
| |
|
|
TEACHING
AND GUEST LECTURES |
|
2009 |
Guest Lecturer, University of Alabama |
|
2004 |
Faculty, Andover Newton Summer Institute for Arts and Theology |
| |
Guest Lecturer, University of Delaware |
|
2002 |
Guest Lecturer, Maine College of Art |
|
2001 |
Guest Lecturer, Kansas City Art Institute |
|
1997 |
Guest Lecturer, University of New Hampshire |
|
1995 |
Interim
Faculty, Bowdoin College Art Dept. |
|
1992 |
Guest Lecturer, Mt. Holyoke College |
| |
|
|
SELECTED PUBLIC AND MUSEUM COLLECTIONS |
| |
Arkansas
Art Center, Little Rock, AR | Arthur
Andersen & Company, St. Paul, MN |
| |
AT & T,
New York, NY | Boise
Art Museum, Boise, ID | Bowdoin
College Museum of Art, Bowdoin, ME |
| |
Colby
College Museum of Art, Waterville, ME | Exxon
Corporation, Irving, TX | |
| |
Farnsworth Art Museum, Rockland, ME
| Harvard
Business School, Cambridge, MA |
| |
Jackson
Laboratory, Bar Harbor, ME | Lyman
Allyn Museum, New London, CT |
| |
Memphis
Cancer Center, Memphis, TN |
Metropolitan Life, New York, NY |
| |
Nomura
Securities, New York, NY | Ogunquit
Museum of American Art, Ogunquit, ME |
| |
ORYX
Energy Corporation, Dallas, TX | Swiss
Re, New York, NY | Portland
Museum of Art, Portland, ME |
| |
United
Talent Agency, Los Angeles, CA | Zurich
Kemper Investments, Chicago, IL (catalog) |
| |
|
|
EDUCATION |
| |
MFA,
University of Pennsylvania, 1986 |
| |
Skowhegan School of Painting and Sculpture, 1985. Full scholarship. |
| |
BA,
Smith College, 1981.
Magna cum laude, Phi Beta Kappa |
| |
|
|
SELECTED BIBLIOGRAPHY |
| |
Beem, Edgar Allen. “True native vision:
Celeste Roberge and Dozier Bell, two of Maine's most important artists.”
The Maine Times.
December 2, 1988. |
| |
“Laurent and Bell in Black and
White.” The
Maine Times.
July 12, 1991. |
| |
“Two June shows in July.”
Maine Times.
July 16, 1998. |
| |
Dawson, Jessica. “Mining the Leaden Skies.” review of NAS
exhibitions, The Washington Post. March 18, 2004. |
| |
Fensterstock, Lauren. “Dozier Bell:
New Paintings.” Art
New England. February/March
2006 |
| |
Gold, Donna. “Dozier Bell: Spareness of Color, Content Characterize Maine
Native's Work.” Kennebec
Journal. April 6, 1991. |
| |
“Maine Art Goes to Manhattan.”
Maine Times.
March 30, 2000. |
| |
Grausman, Jennifer. “Fractured Fairy Tales: Art in the Age of Categorical
Disintegration.” Duke University Museum of Art, Exhibition catalog. 1996. |
| |
Grimes, Nancy. “Dozier Bell at Schmidt Bingham.” ARTnews, Reviews.
1988. |
| |
Isaacson, Philip. “Artists' Works Merit Attention.”
Maine Sunday Telegram.
July 14, 1991. |
| |
“Bell’s Layers of Conflict Give
Off a Spiritual Intensity.”
Maine Sunday Telegram.
July 19, 1998. |
| |
Jacks, Shirley. “A Stunning Collaboration Between Two of Maine's
Best.” The Greater Old
Port Guide and Downtown Arts District.
October 12, 1995. |
| |
“Dozier Bell: The Conflict
Series.” Art
New England.
October/November 1998. |
| |
Keyes, Bob. “Bell’s ‘radiant vision’
on view at Aucocisco.” Maine
Sunday Telegram. November
20, 2005 |
| |
King, George. Changing Horizons: Landscape on the Eve of the
Millennium. Katonah Museum of Art, Exhibition catalog. 1996 |
| |
Koeppel, Fredric. “Vibrant Vision Contrasts with Delicate Darkness.”
The Commercial Appeal, Art Reviews. April 18, 1991. |
| |
Kramer, Hilton. “Painter Dozier Bell Reaches to the Skies and Finds the
Divine.” New York Observer.
October 4, 2004. |
| |
Little, Carl. “Metamorphosis: Four Maine Artists.” Art
New England.
July/August 1990. |
| |
Dozier Bell:
Primary Themes, Lyman Allyn
Art Museum, Exhibition catalog. 1998. |
| |
“The Bleak and the Beautiful”
Maine Home and Design. April 2009 |
| |
Lombardi, D. Dominick. “The New Art of Landscape Painting.” The
Record-Review. August 16, 1996. |
| |
Marshall, Laurence A. “Books in Brief.” The Sciences.
November/December 1996. |
| |
Maxwell, Douglas F. Review,
Exhibitions. April 15, 2000. |
| |
Maxwell, Douglas F. and Young, Dede. Destiny Manifest: American Landscape Painting in the Nineties.
Harn Museum of Art, Exhibition Catalog. 1997. |
| |
McWilliams, Margot. “New Work on Paper.”
Casco Bay Weekly.
April 11, 1991. |
| |
Melrod, George. “You Are Here: Mapping out the terrain of earth, sky,
nature, and the human psyche”. Art & Antiques. October 1997. |
| |
Mergen,
Bernard. Weather Matters: An American Cultural History Since 1900.
University Press of Kansas, 2008 |
| |
Moore, Milton. “Images of the Heavens
and earth make a powerful impression at Lyman Allyn exhibit.” The Day.
May 19, 1998. |
| |
Moynihan, Megan. “Subtle and
Expressive Works at DFN.” Tribeca Trib, Vol. 11, Issue 2. October
2004. |
| |
Nelson, James. “Dozier Bell’s Small
Works a Revelation at the University of Alabama.” The
Birmingham News.
August 16, 2009.
Ogunquit show features John Laurent, Dozier Bell. Morning Sentinel.
June 29, 1991. |
| |
Page, Ian. “Remote Meditations.”
The Portland Pheonix.
November 25, 2005 |
| |
Russell, Jenna. “Obscure
Sunshine: Dozier Bell at June Fitzpatrick.” The
Portland Phoenix.
July 28, 2000. |
| |
SG, Hermione. “Works on Paper, 2008: Park Avenue Armory NYC”
Demos News March 3, 2008 |
| |
Smee, Sebastian. “Maine event.”
The Boston Globe.
May 8, 2009 |
| |
Struve, William. An American Landscape Collection: Views from the
Heartland, Zurich Kemper Investments Collection catalog. 1997. |
| |
Tate, Haines Sprunt. “The Double Vision of Bell and Greenleaf.”
Maine Times.
October 24, 1994. |
| |
Thompson, Chris. “Warmachines: Dozier Bell at Aucocisco.” The
Portland Phoenix.
November 22, 2002. |
| |
WETA, Washington Public Television,
“Around Town,” NAS exhibition review. May 6, 2004. |
| |
Zevitas, Steven. New American
Paintings, Number 20: The Fourth Open Studios Northeast Competition
Catalog of winners’ work, Wellesley, MA. The Open Studios Press,
1999. |
| |
Zimmer, William. “The Spiritual Side of
Art.” The New York Times. April 2, 1989. |
