Alice Spencer
     images: Yardage  Earlier Textile Series | statement | curriculum vitae | bio | press
 
Curriculum Vitae:
   
SELECTED ONE PERSON EXHIBITIONS:
2008-2010 Fabricating Time: Paintings and Collected Textiles; University of New England Gallery, Portland, Maine;
  Atrium Art Gallery, University of Southern Maine, Lewiston, Maine
  University of New Hampshire Museum of Art, Durham, New Hampshire
  Art Gallery, University of Maine, Presque Isle, Maine
2007 Piece Work, George Marshall Store Gallery, York, Maine
2003 Aucocisco Gallery, Portland, Maine
2002 Trustman Gallery, Simmons College, Boston, Massachusetts
2001 Aucocisco Gallery, Portland, Maine
  Jewett Hall Gallery, University of Maine, Augusta
1998 Watson Gallery, Wheaton College, Norton, Massachusetts
1997 June Fitzpatrick Gallery, Portland, Maine
1988-1997 Judith Leighton Gallery, Blue Hill, Maine
1995 Perspectives: A Sense of Place, Portland Museum of Art, Portland, Maine
  Sunnen Gallery, New York, New York
  Between the Muse Gallery, Rockland, Maine
  The Torso Series, UMF Art Gallery, University of Maine at Farmington, Farmington, Maine
1977-1991 Barridoff Galleries, Portland, Maine
1989 & 1992 Gallery on the Green, Lexington, Massachusetts
1987 Nesto Gallery, Milton Academy, Milton, Massachusetts
1974 Maine Coast Artists Gallery, Rockport, Maine
   
SELECTED GROUP EXHIBITIONS:
2009 10X10 Twentieth Anniversary Show
  Across the Border: Maine/New Brunswick
  Peter Buckland Gallery, St. John, New Brunswick
  Visiting Artists: Art of New England, New Haven, CT
2006-08 The Portland Show, Greenhut Galleries, Portland, Maine
2006 The Maine Print Project, Center for Maine Contemporary Art, Rockport, Maine
  Impressions of Nature, L.C. Bates Museum, at Goodwill Hinckley Homes, Maine
  Contemporary Maine Monotypes, Chocolate Church Arts Center, Bath, Maine
2005 Transcribing Time, Maine Center for Contemporary Art, Rockport, Maine
  The Art of the Print, George Marshall Store Gallery, York, Maine
  Tenth Anniversary Exhibition, George Marshall Store Gallery, York Maine
2004 New Work, Clark Gallery, Lincoln, Massachusetts
  National Circle of Excellence Exhibit, River Tree Center for the Arts, Kennebunk, Maine
  Haystack School of Crafts Faculty, Blue Heron Gallery, Deer isle, Maine
2003 Peregrine Press Printmakers, Aucocisco Gallery, Portland, Maine
  New Acquisitions, Portland Museum of Art, Portland Maine
  Prints from the Collection of Bruce Brown, Colby College of Art, Waterville, Maine
  North American Printmaking Biennial, Boston, Massachusetts
  Art in Embassies Program, United States Embassy, Sarajevo, Herzogovinia, United States
2002 Maine Women’s Studies Exhibition, Colby College, Waterville, Maine
2001 Art In Embassies Program Exhibition, Santiago, Chile
2000 Unbridled Eclecticism: Works from the Collection of Woody Dana, University of New England Art Gallery, Westbrook College Campus, Portland, Maine
  The Torso Series, Art as Medicine/Medicine as Art, New England College of 1999 Osteopathic Medicine, Biddeford, Maine
  Four Maine Artists, G. Marshall Store Gallery, York, Maine
  Inner Landscape, Montserrat College of Art, Beverly, Massachusetts
  New Acquisitions, Portland Museum of Art, Portland, Maine
1998 Portland Museum of Art Biennial, Portland, Maine
  Seasons of Change: Maine Women Artists and Nature, Payson Gallery, Portland, Maine
  Between the Muse Gallery, Rockland, Maine
  Milton Creates - Milton Collects, (curated by J. Carter Brown, Director Emeritus, National Gallery of Art, Milton academy, Milton Massachusetts
  10th Anniversary Exhibit, Round Top Center for Fine Arts, Damariscotta, Maine
1997 Salon Show, curated by Rose Marie Frick, Robert Clements Gallery, Portland, Maine
  Percent for Art: Maine's Public Art Legacy, Blaine House, Augusta, Maine
1996 Torn Asunder: Collage in 20th Century Art, Portland Museum of Art, Portland, Maine
  Haystack School of Crafts Faculty, Blue Heron Gallery, Deer Isle, Maine
1995 Perspectives: A Sense of Place, Portland Museum of Art, Portland, Maine
  Mainescapes: Women Artists 1900-1995, Ogunquit Museum of Art, Ogunquit, Maine
  Monomania, Clark Gallery, Lincoln, Massachusetts
1994 Landscape Passages: 3 Painterly, Personal Explorations of Landscape, Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire
  Self Portraits, Icon Gallery, Brunswick, Maine
1993 Inaugural Exhibit, The Painting Center, New York, New York
1992–1993 On the Edge: 40 Years of Maine Painting, Curated by Theodore Wolff, Maine Coast Artist,
Rockport, Maine; Portland Museum of Art, Portland, Maine
1992 Lighting the Landscape: Artists' Use of Light, Portland Museum of Art Outreach Exhibition, Ellsworth, Maine
  Kaleidoscope: Southern Maine Contemporary Artists, York Institute Museum, Saco, Maine
1988  Images of Maine: The Maine Savings Bank Collection, Portland Museum of Art, Portland, Maine; Brockton Art Museum, Brockton, Massachusetts
  All-Maine Biennial Exhibition: Works on Paper, Art Gallery, University of Southern Maine, Gorham, Maine
1987 Paperworks: Work from the Permanent Collection, Portland Museum of Art, Portland, Maine
  A Gallery Invitational, Farnsworth Museum, Rockland, Maine
1984 Works on Paper, Gallery on the Green, Lexington, Massachusetts
1981 Maine Women Artists, Maine Coast Artists, Rockport, Maine
1980 Contemporary New England Drawings, Boston Athenaeum Gallery, Boston Athenaeum, Boston, Massachusetts
1979 Maine Biennial, Bowdoin College, Brunswick, Maine
   
PUBLICATIONS AND MEDIA:
  ARTSCOPE, November/December 2009, ‘Fabricating Time’: Alice Spencer, Rick Agram
  Portland Sunday Telegram, May 10, 2009, MECA Honors Two Creative Spirits of the Real World
  Portland Sunday Telegram, December 14, 2008, In the Arts (column), Phillip Isaacson
  ‘Yankee Magazine (website), December 2008,” Painting Patterns in Portland’: Alice Spencer’s Fabricating Time’, Edgar Allen Beem
  Maine Sunday Telegram, November 9, 2008, ‘From The Fabric of Life’, Bob Keyes
  Maine Sunday Telegram, November 16, 2008, Philip Isaacson
  ARTSCOPE, November/December 2008; ‘Beyond the Borders: Works by Dozier Bell, Lauren Fensterstock and Alice Spencer’, Elena Sarni
  Maine Public Broadcasting, Maine Museum Trail: Portland Museum of Art, August, 2004
  The Portland Phoenix, ’Pigeon’s Progress’, Chris Thompson, June 20,2003
  Art In Embassies Program, ‘Maine Rest, Art in Embassies Program Exhibition, Bosnia-Herzegovina’, Washington D.C., September, 2002
  The Times Record, May 17, 2001, ‘Art Than Can Be Read Like Archeology,’ Shannon Murphy, Brunswick, Maine
  Maine Sunday Telegram, August 26, 2001 ‘Hand Pulled Prints, Philip Isaacson
  Time Warner Cable and The Muskie School, “Maine Matters,” 2000; Panel for Women’s History Month, hosted by Libby Mitchell
  Museum of Fine Arts, 1999, Maine Light: Art in the American Embassy (Santiago, Chile); catalog, Margaret Burchenal, Curator of Paint, Boston, Massachusetts
  Maine Times, November 19, 1998, ‘Metaphysics Made Manifest,’ Edgar Allen Beem
  WCSH Television, “Behind the Scenes, Behind the Art”
  Downeast Magazine, November, 1998, ‘The Art Behind the Art,’ Edgar Allen Beem
  Sun Journal, November 20, 1998, ‘The Art Biennial,’ Pat Davidson Reef, Lewiston, Maine
  Art New England, August/Sept. 1998, ‘Maine Coast Artists Peregrine Press,’ Shirley Jacks
  Milton Academy, May, 1998, ‘Milton Creates, Milton Collects,’ Milton Massachusetts
  Maine Sunday Telegram, March 23, 1997, ‘Beneath One’s Layers,’ Ken Greenleaf
  Art New England, August/September 1995, ‘A Sense of Place,’ Karen Kitchen
  Maine Sunday Telegram, June 1995, ‘State of the Art state-of-the-art prints,’ Philip Isaacson
  Maine Sunday Telegram, April 30, 1995, ‘A Strong Sense of Place,’ Philip Isaacson
  Casco Bay Weekly, April 12, 1995, ‘Making a Place for Themselves,’ Karen Kitchen
  Maine Times, February 9, 1995, ‘At UMF, Personal Journey is a Matter of Course, Haines Sprunt Tate
  Maine Times, January 13, 1994, ‘The Art of Getting the Inside Out,’ Pam Chodash
  Art New England, August 1994, ‘Selected Prints from the Peregrine Press, Barbara Sullivan
  Old Port Guide, April 1994, ‘Peregrine Press: Portland Artists’ Cooperative,’ Shirley Jacks
  Downeast Magazine, December 1993, ‘Local Color,’ Sarah Goodyear
  Maine Sunday Telegram, June 1992, ‘Artists Are All Women, But Color Key to Show,’ Donna Gold
  Casco Bay Weekly, October 8, 1991, ‘Secret Places,’ Margot McWilliams
   
COMMISSIONS and RESIDENCIES:
2004 Artist-in Residence, Pouch Cove, New Foundland, Canada
1998 Artist-in-Residence, Pictured Rocks National Lake Shore, Munising, Michigan
1993 Banner, Maine Festival, Brunswick, Maine
1992 Illustrations, Portland Public Library, Annual Report, Portland, Maine
1987 One Percent for Art public art commission, Maine Arts Commission, Surry Elementary School, Surry, Maine
   
GRANTS and AWARDS:
2010 Teaching Grant, United States Embassy, Tanzania
2009 Honoree, ART HONORS Celebration of Leadership, Excellence an Entrepreneurship in the Arts, Maine College of Art, Portland, Maine
2008 Community Education Grant, Maine Arts Commission and Maine Humanities Council
   
EDUCATION:
1966 San Francisco Art Institute, San Francisco, California
1966 B.A., Sarah Lawrence College, Bronxville, New York
   
LECTURES and PANELS:
2009 Creative Conversations: The History and Future of the Creative Economy in Portland
2008-2009 Travels and Textiles, University of New England Art Gallery, Portland, Maine
  University of New Hampshire Museum of Art, Durham. New Hampshire
  Bold Vision: Leadership in Changing Times: Public Art: Its History and Portland’s Program”, Osher Life Long Learning Institute, University of Southern Maine, Portland, Maine
2005 The Future of Art in Portland, Maine Historical Society, Portland, Maine
2004 Maine Neighborhoods: Building Strong Communities, public art panelist
2002 Art Walk: Public Art in Portland, Channel 4, writer and host Public Art and Placemaking in Portland and Other Cities, Greater Portland Landmarks Lecture Series, Portland, Maine
2000 Revealing the Process and Power of Public Art, Panel Discussion, Institute of Contemporary Art, Maine College of Art, Portland, Maine
   
TEACHING AND COMMUNITY SERVICE:
2010 Printmaking Workshop, Planning and Instruction, Women Networking Group, Zanzibar, Tanzania
1998 – 2008 Chairperson, City of Portland Public Art Committee, Portland, Maine
1996 – 2008 Trustee, Maine College of Art, Portland, Maine  Executive Committee Chair, Academic Affairs Committee
2005 - Present Advisory Board, Center for Creativity, Portland, Maine
  Juror, Art All Around Public Art Project
1999 - 2005 Council of Advisors, University of New England Art Gallery, Westbrook, Maine
1999 Juror, Maine Arts Commission Artist Registry and Artist Roster
1997 Curator, Images in Multiple: Six Maine Women Printmakers, State House Gallery, Augusta, Maine
1996-2005 Printmaking Instructor, Haystack Mountain School of Crafts, Deer Isle, Maine
1994 - 2003 Printmaking Instructor, Maine College of Art Continuing Education Program, Portland, Maine
1991 – 1994 Co-Founder and President, Peregrine Press Printmaking Cooperative, Portland, Maine
PUBLIC COLLECTIONS:
Portland Museum of Art, Portland, Maine
Art Museum, Colby College, Waterville, Maine
Ogunquit Museum of Art, Ogunquit, Maine
Bates College, Lewiston, Maine
Boston Athenaeum, Boston, Massachusetts
SELECT CORPORATE COLLECTIONS:
  United Technologies, Hartford, Connecticut
  Thomas H. Lee Venture Capital, Boston, Massachusetts
  Unum Corporation, Portland, Maine
  Fleet Bank, Portland, Maine
  Great Bay Corporation
  Liberty Group, Portland, Maine
  Housing Resources Corporation, Portland, Maine












 

 

May 2010

 
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